Introduction

Considered a “professional’s” camera, the Mamiya RB67 is a bellow-focusing, leaf shuttered, single lens-reflex, all mechanical, fire-breathing, mostly meterless design that exposes film in removable backs  in three different medium formats–6×4.5, 6×7, 6×8. It also exposes pack instant film (Fuji FP-100c, FP-100b, FP-3000b). The camera system was first introduced in 1970 and with some minor improvements is still being sold today. It truly constitutes a system, with many different lenses, finders, focusing screens, film backs, grips, motor drives, etc.

While they sold new for thousands of dollars, a complete and well-maintained RB67 Pro-SD can be had for less than $400. Some may argue that the dated system cannot compare with modern DSLR, but its merits have remained exactly the same for its entire life. Rather than focus on the merits, I’m just going to assume you are already interested in medium format film and I am going to focus on the details of the system, the different generations and what lenses and accessories are available.

What constitutes a complete camera?

General notes

The operation of the camera is bit more involved than 35mm mechanical SLRs and it can take some practice getting comfortable. I’ve collected some tips on using the camera. Some noteworthy differences

  • Bellow focusing: Rather than the internal, helical focusing on 35mm cameras, the RB67 moves the whole lens to adjust focus. Pro: you can focus most lenses pretty close. Con: you have to keep track of bellows factor adjustments by hand (using the mechanical calculator on the side of the camera.)
  • Lens leaf shutters: Rather than a focal plane shutter, the shutters are actually in the lens itself. One advantage is that the camera can flash sync at all shutter speeds.
  • Shutter cocking and film advance: After taking a picture you have to recock the shutter and mirror and advance the film.
  • Waist level finder: If using this finder, which is the most common, everything is reversed left to right in the finder. If you move the camera to the left, the apparent motion in the finder is to the right. One trick is to lift your gaze out towards your subject, adjust the camera position, then look down into the view finder.
  • I have written a page describing instant film (FujiFilm, now that Polaroid is no longer making pack film) and the RB67.

Troubleshooting

Having light leak problems? There are numerous foam pieces and bits that help seal parts of the camera. These foam seals wear down with age. For instance, every single Pro and Pro-S back I’ve bought needed to be stripped and re-sealed because the foam lost all of its resiliency and, in some cases, was completely worn away. I have had excellent service (and reasonably quick shipping) from here; pre-cut replacement foam

6 Comments

  • January 29, 2012 - 12:34 am | Permalink

    what are some major things I should check before buying an rb 067. looking at one tomorrow complete for $300 USD.

    also: where is the section on the website for the pre-cut replacement foam?

    thanks!

    • jodys
      January 30, 2012 - 4:52 pm | Permalink

      That is a good question! I realize I might be to late but… I would make sure that it appears to work. You can check the function of the shutter and mirror by removing the back and trying to fire the shutter. You should hear a click from the lens and a much larger “whoosh” from the mirror. Without film, the film back advance should operate freely–that is you should be able to move the lever all the way forward and have it return completely. There are foam rubber seals on the rotating back adapter and in the film back that may be worn, but these are relatively easy to replace. You should check to see that each of the lens’ appear to fire, as well as having the lens aperture turn freely. If you can, bring a bright flashlight and shine it through the lens so you can see inside–don’t be scared of bits of dust, but do be scared of “misty” deposits like fungus or huge scratches. Good luck!

      Pre cut foam is available from http://aki-asahi.com/store/

  • iMiM
    February 15, 2013 - 7:17 am | Permalink

    Hey there,

    I`m having a problem with my Pro S these days…whenever I try to take a picture with my filmback on (slide is taken out) it won`t react. However, when I remove the back, it works all fine…anyone has an idea what might cause the problem? Right now I don’t have access to another back, so I can’t really tell which part of the camera is not working…experiences anyone? Thanks!

    • jodys
      May 7, 2013 - 10:20 am | Permalink

      Assuming that you have a Pro-S back attached, there are three different interlocks. When the shutter is pressed, there are linkages that check

      a) that the dark slide is removed
      b) that either the film is advanced or the multi-exposure lever is pulled (red dot showing)
      c) that the back is rotated fully horizontal or fully vertical.

      Every so often I have an issue with my Pro-SD like yours that is resolved by rotating the back out of its detent and then back again.

  • Steve in NSW OZ
    February 20, 2013 - 11:05 am | Permalink

    Hey from Down Under!
    I’m having same problem!

    If I find someone to help I will let you know!

    Our local “Camera House” has just now gone into liquidation (because I buy all my gear “On Line”
    of course!) so I may not be able to get local help.

    Some of my “pins” don’t seem very straight.
    I have never actually used this camera.

    Bought the body and backs from “Roberts Camera Store” on EBay.
    Bought a beautiful 180 lens seperately on EBay.

    It all worked when I put it together but now that I’m trying to put some film through it I find same prob.

  • Peter M Schulz
    May 7, 2013 - 5:04 am | Permalink

    Please make sure the switch on the magazine is not on the red dot
    Or your film counter is faulty

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